October 7, 2014
Right now I’m preparing materials for three short workshops that will be happening at the Community Center in Waverly, Pennsylvania. this Saturday, October 11. There will be many presenters during the grand weekend long celebration of the 50th year of the E. Lammot Belin Arts Scholarship. I’ve taken a look at the line-up, which was published as part of an article, in the local Times-Tribune, and it looks like I will be missing many great workshops while I am teaching my own.
If you happen to be in the Scranton area, do come. These workshops are all free to the participants.
I’ll be busy with three different groups. For adults, at 1:15 I will be teaching the Card Carrying Blizzard Book, a diminutive structure which can be modified in many ways, and which is created through a sequence of cleverly arranged folds.
The organizers of this event pretty much left it up to me what to teach, and they let me decide on what ages I wanted to work with. Well, I like just about every age group, so I asked to do three workshops, each focusing on a different group. I’m looking forward to showing adults how to make this little card-carrying book, as it’s not something that I often have an opportunity to teach.
At noon,just before the adult workshop, I’ll be working with 8 to 12 years, making pop-ups.
I plan to show some basic pop-up concepts to these children, then give them time to let loose with their own creativity.
The morning workshop, the first of the three, is one of my favorites to teach.I nearly never have the right venue in which to present it. Here’s the description that I wrote up:
11:00 – 11:50 Impromptu Paper and Book Arts for Parents and their Pre-school Children
Here’s a workshop that stretches how creative Moms and Dads can be while tending young children. During this open studio time caretakers, who are invited to bring their infants and toddlers along with them, will learn how to transform regular pieces of paper into whimsical and wondrous playthings.
So, did you get that? Infants and toddlers are invited to come to this workshop, along with their caretakers. There’s no guarantee about what will get done, as each child/adult pair have their own unpredictable dynamics. I will be bringing written directions for the projects so that people can work at their own paces. I think I will have some helpers with me, too.
I dreamt up the concept for this workshop in waiting rooms when my children were small. I would scrounge up a piece of paper, sometimes an expired flyer hanging on the wall, sometimes one of those cards that all always falling out of magazines, and I would entertain my children with a little pop-up or an impromptu book. It really came in handy, knowing how to transform bits of paper into playthings. This workshop lets me share these little treasures.
At various times I’ve already posted directions for the simple little structures that I will be teaching in the toddlers’ class. But, if you are interested, I’ve put together a 6 page, 4MB PDF file that I can send via email to anyone who asks for it. It won’t go out automatically so be patient, though chances are you will get it within about half a day. You’ll wait longer, though, if you ask on Saturday: or. if you are impatient, you will just have to come to Waverly, Pennsylvania and sit in on one of the workshops.. See you there!
September 28, 2014
This past Tuesday the North Main Gallery in Salem. New York hosted an Art Party for Paul Johnson’s work, which included an animated presentation by the artist himself.
Johnson’s Noah’s Ark pop-up book was part of the presentation, though not part of this generous show. During his talk, Johnson first showed us the ark as a completely flat piece, then with a dramatic flick of the wrist, he expanded into a structure that was so detailed and dimensional that we gasped. He threatened to teach us how to make one of our own in the workshops the following day.
Which, fortunately, was not true. We were challenged enough with this diminished version, especially when it came to filling it with animals.
Rather than make two of every animal, Keith filled his ark with cattle couples, and Susan feautured Noah. Each of the dozen students came up with their own solutions.
We also made a pop-up theater card, which Johnson successfully taught us in ten minutes flat (lunch was in the offing).
And then there was what he called the Vaudeville Theater, which gave us a chance to try out the dimensional slot-and-tab techniques that Johnson uses in many of his mulit- layered books.
The highlight of the day for me was asking Paul Johnson about the dovetail joint technique that he sometimes uses to create hinges. I had studied the look of this method of building a hinge, and but my attempts at making mine work had failed entirely. Left to my own devices I know would have persevered beyond reason to figure this out, so I was, gulp, really really happy that I could actually show him the self-disassembling box that I had sort of put together. Turns out that my way of thinking about the dovetail joint was all wrong. If you can imagine a dovetail joint you will know that it is made with two trapezoids: one negative, one positive. I had wrongly envisioned that these two trapezoids echo each other exactly in their shape. Instead, what’s going on is that top(short side) of the positive dovetail/trapezoid is the same length of the longest (base) side of the negative dovetail. If this made no sense to you, well, know that it made no sense to me either. So Paul showed me a model that he had prepared for just this kind of inquiry (aw, there’s always one…) and gave it to me since no one else had asked. Thank you! Passing on the favor I made this template:
from which I made this lovely box which lies flat…
.and then opens into three dimensions. Yeah!
I made this 4″ cube with Hammermill 80 lb Color Copy Digital Cover Paper. Paul Johnson makes his constructions with 140 lb Saunders Watercolor Paper.
Okay, this is it for my Paul Johnson posts. Fact is I could probably do another 20 posts of the books in this show (which is up until October 4) but I won’t…
…so it’s time to say goodbye. And many thanks to Ruth Sauer’s North Main Gallery for opening the doors for this show, and hurrah to Paul Johnson for visiting our little village of Salem here in upstate New York, and thanks to Ed for his hand in making this all come together well. What a gift!
September 22, 2014
Yes, this sculptural construction is a book. Ed was setting up this piece at Paul Johnson’s show at North Main Gallery in Salem, New York (up until October 4) when I questioned him, because I just didn’t see how this piece could possibly “close.” So he closed it for me. It’s many thick pages long –here, below is a peek of some of the inner pages…
… which includes a magnificent view of the whale’s tail–and I couldn’t fathom how this undulating, many layered, detailed piece could be shut. In the interest of showing off as much of this book as is reasonable in a blog post, here’s another view of the book with the explanation that I needed in order to structurally understand what’s going on to support the visuals.
The thick spine of this book doubles as the whale that is about to consume poor Jonah. The alternating right and blue stripes on the pole, which are on either side of the whale/spine are hinges, known in the bookmaking world as piano hinges, which allow the book to open and close. Enough said about that. Now for a closer look at the artwork.
These pages, I’m told, are constructed out of heavy weight watercolor paper.
Here’s poor Jonah, just before the decisive moment. I’ve noticed the house-like structures in many of Johnson’s books: the sweetness of these little structures resonate with the homebody part of me ( I love my home).
Here’s another piece in the show with a little house. The writing up top identifies this a Johnson’s mother-in-law’s garden. The writing to left says ” In total contrast to the brilliant colors in my unique pop-up books, my editions are softer in tone comprising pencil crayon and delicate penwork illustration. The laser printed originals are hand cut and hand assembled.”
One more view of Jonah before I sign off on this post. I doubt I will ever again have the opportunity to see this extraordinary piece, so I want to keep these images of it around.
If you are happening to read this post on the date that I’ve written it, and you are within driving distance, this message is for you:
ART PARTY at North Main Gallery, Salem, NY on Tuesday September 23, 6-8 p.m.
You are invited! Paul Johnson will be in the building, giving a talk and showing us books that have never been seen before. At least that’s what I’ve been told. Ed Hutchins assures me that there will be plenty of Saratoga water, local cheeses and other gastronomic delights on hand to round out the evening. You can take it on my word that there will be lots of good company.
If you aren’t nearby, I have some good news for you, too. I have a handful of catalogs that I would like to give away. I will send out copies to up to eight people who request one. I don’t expect I will be inundated by requests, but if I am I will give preference to anyone who has previously left a comment on this blog at any time before today.
I will be attending Johnson’s workshop on Wednesday, so expect one more Paul Johnson post soon!
September 10, 2014
“A pop-up needs a fold:” this is what I say whenever I begin showing a class how to make a pop-up. Ha! Turns out I was wrong! Paul Johnson’s show at the North Main Gallery in Salem N.Y. has authoritatively proven me to be completely mistaken. Throughout this generous celebration of structurally engineered books there is not a fold, in or out of sight.
This is not a show of books with pages that turn to reveal a sequence of cleverly folded and glued structures that seem to magically jump off the page. Instead, in many cases, the books themselves begin as appearing rather flat, then they simply explode into space. And it’s not folds or glues that are responsible for these feats. It’s …
…hinges. Well bust my britches, I never thought about creating non-folded hinges for pop-ups The roof piece above is joined together by making opposing slits in two separate pieces of paper. Johnson also makes good use of piano hinges -this link is a piano-hinge-tutorial by Wendy Southin- as well as dovetail joints, which I have to say I have never seen a bookbinder use in paper engineering.
It was not just a few books here, but rather a plethora of book structures and book sculptures, each one as unusual as inventive as any I’ve seen. Now I know I haven’t stepped back here and given you much of the big picture: that’s more than I can process for one post. The overall look of the show is stunning, as is each book in the show. But those photos will have to wait for a later post. It’s the details that I am so intrigued with today.
This show, it’s quite a ride. Up until October 4.
Oh, and if you are an educator and you are wondering if this is the same Paul Johnson who writes prolific amounts about Literacy and Book Arts, yes, this is him.