There’s one more post about the Book Arts Summer in Salem 2013 that I want to write, even though summer has now given way to autumn. I guess this post is more about making sure I have a record of the show, as seeing it was like going down a rabbit hole…the more I looked in certain directions, the more there was to see.
For instance, Shawn Sheehy exhibited a number of broadsides which featured the writing of various poets. I knew that there must be more to know about this project, so googled the press that printed the broadsides, Onerios Press,, which led me to the Vamp and Tramp website, which OMG has gathered in one place more presses, artists’ books, miniature books, and broadsides (not mention new arrivals) than I will ever have time to sift through….though I’ve been working at it!
Another sort of rabbit hole were these notebooks that Sheehy set out on a table. He invited the viewer to look through them…I wanted to take them home.
Each page was filled, and I mean filled with notes, drawings, and plans, It was such a treat to have a peek at the inner workings of Shawn’s process of working. One thought that I kept having as I viewed the show was , ‘I wonder how this guy’s mind works?’ and here I actually got the chance to read through what he was thinking and seeing as he worked through ideas.
There are a few more images I want to add in here before I get to the final part of this post. Cathy Daughton made these whimsical, accomplished drawings for an accordion book, which, for me, successfully blurred the distinction between carrots and trees.
Here’s North Main Gallery full to the brim of participants in Susan Bonthron’s Pesky Bug workshop. Susan did as much prep for this one workshop than I usually do for a full week of workshops: she wrote and printed up a book about various garden pests, and she created a veritable treasure box of items which we used to make prints of slimy creatures munching their way through the crops that we evidently plant for their enjoyment.
We we each able to print up ten of our gardens’ worst nightmares, ranging from the all too real asparagus beetle to the tomato horn beetle (a particularly enthusiastic tenant in my husband’s garden) . Fortunately, the booklet that we tipped these pages into provided us with tips for eviction. It’s not pictured in the photo above, but Susan also included an image of the Fracking Beetle, which has not taken up residence in my backyard, At least not yet.
Now here are the final stars of the show, which I’ve saved for last because I noticed them last. Their names appear just inside of this catalog for the show.
In little letters, inside of front page, you can find this line:
The catalog design is such a well done piece that I started looking for more info about Joe Freedman and Ilisha Helfman. It was such fun looking into the work of this duo! If you want your socks knocked off, check out this blog post written by Nancy Ricciwho visited their studio in Portland Oregon. Links from Nancy’s post will lead you to a plethora of highly diverse work done by Freedman and Helfman. But it won’t lead you to Joe’s current (kickstart) project, his GatorGraph which has nothing to do with alligators, but that’s all I will say about it because I wouldn’t want any understated description of mine deprive you of checking out this brainchild which surely inspires out-of-the box thinking. Oh, and if you are looking at the GatorGraph page and are feeling adventurous, click on the links to the projects that Joe has backed: he has a real eye for ingenious thinking.
So, thank you Joe and Iiisha for a great catalog, and thank you Ruth Sauer and Ed Hutchins for putting together a memorable show. It’s been a journey. Now, one last look at my favorite piece in the show…