Hedi Kyle shows an elegant wrapper with an exquisite pleated closure (Art of the Fold, project 34). I love the pleat and the way the book block slips into the wrapper. Some beautiful papers that have are too small (8 1/2″ x 11″ and 11″ x 15″) to use for Hedi’s structure. This set me thinking about how to create a cover with a pleated closure which uses less paper.
What I came up with doesn’t to retain the perfect way Hedi’s book slides into the cover. Instead, I did a little pamphlet stitch to attach the pages into the folder. This method allows me to use my papers to make a larger book. Oh, and there’s a perk to doing the sewing: I can add on some beads.
This is what I showed to the group who have been showing up to fold with me on Saturdays.
What’s fun is that I come up with a variation of what I learn from Hedi Kyle, then the people I teach my variation to make variations of their own.
Two details that I want your to know in Ruth Nuesch’s books, above, are one, that in the lower folder she went ahead and made the folder with a relatively narrow piece of paper -she just made it work- and two, notice how she figured out how to include the pencil on to the strap.
Below, here’s one by Sarah Bailey Knight.
What especially delights me about this one by Sarah Bailey Knight is here selection of papers for the book block.
I generally am not making special videos of my Saturday open zoom workshops, but this is a structure that I’m afraid I’d forget if I didn’t record it. Here’s the video:
Last Saturday a nice crowd joined me for a short accordion workshop, the first of what I hope will be a few months of these free, mini workshops to give us all some more practice with accordion folds.
The time was so short and it went so fast that it almost seemed like it didn’t happen at all. But I know it happened, mostly because I received some sweet notes, and even some photos afterwards.
Next session will be building upon this past one, so if you plan to come, and you missed out, take a look at the handout above.
This Saturday will be the same time -4 pm EST-, same zoom link as last week. I will show up about 10 minutes early if anyone want to chat, then by 2 minutes after the hour, demonstration starts, then zoom kicks us out at 30 minutes after the hour.
Paula Krieg is inviting you to a scheduled Zoom meeting.
This continues my posts about assembling different structures based on the Chinese Thread Book, using different papers. I had thought I was going to be doing the same thing over and over again, with no variations other than using papers with different colors and patterns, but it hasn’t worked out that way.
Here’s where I started using the Stardream Metallic for the cover of the pamphlet on the left. More and more I’m liking how the Stardream paper matches the Chiyogami printed papers. Notice the style of the little box inside of the pamphlet. After trying out many variations I absolutely loved this little twist box with the pinwheel top.
I think it’s something about the pattern of the Chiyogami paper that made other style box I’ve been making look, well, not so good. Am so pleased to have stumbled upon this way of making the twist box.
Here’s the pinwheel-top box, twisted open.
The second layer rectangular tray is made from a soft handmade paper from India. Underneath the tray is a sleeve made of Stardream paper, which matches the pamphlet.
Big box layer is another handmade paper, but not sure where it was made. I have a stash of this from a place that Elisa Campbell wrote about, Creative Papers, which, sadly, is no longer is business.
The biggest surprise for me was the choice I ended making for the cover of this Thread Book. I tried matching the book with other Chirogami papers, with handmade papers from Dieu Donne and elsewhere. I tried my (faux!) elephant hide paper, and tried matching it with all sorts of cloth. Then I tried it out with this piece of suede, and it just snapped together. I never thought I use this suede for anything, but it seemed perfect for this project.
I just love how I get to use all these odds and ends of materials!
What’s different, besides the suede, about this particular piece is that it doesn’t suggest a use to me. The first one of this group that I wrote about seems like a valentine waiting to happen, the one after that feels like a gardener’s journal, and the next one I will be writing about feels like a holiday journal. But this one isn’t telling me what it needs to be. Hope someone else can figure it out.
Am still trying to hone in on a way of making flip-books. This means creating templates in my graphics program as well as figuring out how I want to bind the books. There were too many things that weren’t right about the Japanese stab-sewn binding that I’ve already written about, so I thought I would take a look through the internet to see how other people bound their flip books. I found some slam-dunk awesome flip books, but not much inspiration for the treatment of the spine.
One site recommended putting a tight rubber band around the pages. I actually love this solution, as it’s so cheap and easy, but it wasn’t the way I wanted to go for the set of books that I’m planning. Another site suggested using a pad of Post-It notes, which actually seems like sort of an expensive way to go, and doesn’t leave much room for error. Also, the use of Post-its invites the distinct possibility that someone will re-appropriate your animation for use as (gasp) Post-it notes.
I tried out using a lighter weight paper, too, which my daughter immediately nixed. She said that the pages moved too fast, and that the book didn’t have the satisfying clicking sound that she likes. Someone on the internet suggested using filing cards for the pages, which I think would work well. I think I saw at least one flip-book that was bound with those heavy-duty paper clips, which I just discovered are (appropriately) called binder’s clips. I think these would work well, though that re-appropriation problem would again apply. It looked to me like some people used pre-bound books or pads, and some people just held the pages together with one hand while they flipped with the other. Oh, and a truly heavy-duty staple gun can do the trick too. All good solutions, but none that enthralled me.
I decided to sew again, but to sew a simple 3-hole pamphlet stitch on to a flap. I made the flap out of book cloth. It’s hard to explain the flap in words, but I think the pictures show it well enough.
There, that was simple enough. I’ve actually done something like this with first grade students, but instead of sewing and using cloth, the spine that these first graders used was made of paper,to which we applied a two-hole punch, and used paper fasteners to attach everything together.
Here it is!
That was such a great project. But I digress..
Here’s the finished version of my little book. I’m mostly happy with it. I really like the look of the spine. The book works well, makes a good sound, and feels good in my hands. The last page has some writing, explaining what CMYK is. The text reads as follows (please feel free to suggest edits to this text if I have made any errors, as I still consider this a work in progress. Thank you):
CMYK is like a secret code that printers use to define and mix color.
C: Cyan, bluish values M: Magenta, reddish values Y: Yellow, values of yellow K: Key, values of Black
The range of numbers that follows each letter defines the concentration of CMYK pigment that the printer uses: 100 is fully concentrated brightness, zero indicates the complete subtraction of color.
This flip-book shows 48 of the possible 104,050,401 permutations of CMYK values 0 through 100.
In my last post I included an unlabeled and incomplete animated of a version of the contents of my book. If you’ve seen that post already and still have an itch to see a flip-book in action, take a look at this thoroughly gratifying brilliant creation of Matthew Shilian: