Republic of Georgia

Republic of Georgia

Miriam Schaer has flown of to the Republic of Georgia, taking with her something even more precious than the good wishes of her book arts community: she has taken their books!

Just over a year ago I sat with Miriam at the Grolier Club in NYC as we waited for our friend Mindell Dubansky to take the stage to talk about the exhibition she curated of blooks  (objects that look like books). At the time, Miriam was pondering over making some changes in her life, though she did not yet have a handle on what that would look like. Today she’s in Eastern Europe/ Western Asia, having been awarded a Fulbright Fellowship to teach artist books at Telavi State University.

Soraya Marcanos book

book by Soraya Marcano

Before leaving, Miriam invited the book arts community to send her their books with the idea of building what she called a “teaching collection,” recognizing that the act of holding a handmade book in one’s own hands has a way imparting inspiration.

book by Sarah Nicholls

book by Sarah Nicholls

The book arts community reacted quickly and generously.

book by Debra Eck

book by Debra Eck

As the books rolled in, Miriam posted photos of the book on a Facebook page. All of the book images that I am posting here have been culled from her FB wall, which I will include, along with her other in links, in the bottom of this post.

Book by Susan Newmark

Book by Susan Newmark

It been an adventure just to check in to see how her collection has been growing over the past couple of months.

books by Susan Joy Share

books by Susan Joy Share

I suspect these books by Susan Joy Share have seen the most air miles: they started with Susan in Alaska, were flown to Miriam in Brooklyn, then were packed up to meet Miriam in a country flanked by Turkey, Russian and the Black Sea.

book by Liz Mitchell

book by Liz Mitchell

Miriam will be writing about her book arts teaching at the University. She already begun her writing. Looks like she is starting with making felted books.

books by Alicia Bailey

books by Alicia Bailey

I absolutely wanted to contribute to Miriam’s collection. It took me way too long to come up with something to send. I started on something, had trouble working it out, then missed Miriam’s deadline. A friend encouraged me to just keep at it and send the book when it was done. This gave me the space to realize that, hey, if need be, I could just send it to Republic of Georgia directly.

Boxed Fractal Books, by Paula Beardell Krieg

Boxed Fractal Books, by Paula Beardell Krieg

But, phew! was able to get a book to Miriam just three days before she left town. She received one from an edition of books, which are housed in these green boxes, and which I will write about in my next post. Until then, to see what’s within, you’ll have to visit Miriam FB page. Here are links to that page, as well as her blog, and her teaching blog.

Artist Book Collection-Telavi State University, Republic of Georgia

Miriam Schaer

Felt Books თექის წიგნები

 

 

 

 

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This continues my posts about assembling different structures based on the Chinese Thread Book, using different papers. I had thought I was going to be doing the same thing over and over again, with no variations other than using papers with different colors and patterns, but it hasn’t worked out that way.wp-1484682930002.jpg

Here’s where I started using the Stardream Metallic for the cover of the pamphlet on the left. More and more I’m liking how the Stardream paper matches the Chiyogami printed papers.  Notice the style of the little box inside of the pamphlet. After trying out many variations I absolutely loved this little twist box with the pinwheel top.

Pinwheel-top Twist box for Chinese Thread Book, PaulaKrieg

Pinwheel-top Twist box

I think it’s something about the pattern of the Chiyogami paper that made other style box I’ve been making look, well, not so good. Am so pleased to have stumbled upon this way of making the twist box.

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Here’s the pinwheel-top box, twisted open.

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The second layer rectangular tray is made from a soft handmade paper from India. Underneath the tray is a sleeve made of Stardream paper, which matches the pamphlet.

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Big box layer is another handmade paper, but not sure where it was made. I have a stash of this from a place that Elisa Campbell wrote about, Creative Papers, which, sadly, is no longer is business.

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The biggest surprise for me was the choice I ended making for the cover of this Thread Book. I tried matching the book with other Chirogami papers, with handmade papers from Dieu Donne and elsewhere. I tried my (faux!) elephant hide paper, and tried matching it with all sorts of cloth.  Then I tried it out with this piece of suede, and it just snapped together. I never thought I use this suede for anything, but it seemed perfect for this project.

I just love how I get to use all these odds and ends of materials!

What’s different, besides the suede, about this particular piece is that it doesn’t suggest a use to me. The first one of this group that I wrote about seems like a valentine waiting to happen, the one after that feels like a gardener’s journal, and the next one I will be writing about feels like a holiday journal. But this one isn’t telling me what it needs to be. Hope someone else can figure it out.

Terra Cotta and Green

January 14, 2017

Variations on Chinese Thread Book

two more Variations on Chinese Thread Book

My thought was that I would make a model based on the Chinese Thread Book, then make variations of said model using different papers. Turns out that using different papers resulted in creating many more questions than I anticipated. My next few posts will be showing how these questions got answered, one Zhen Xian Bao at a time.

Zhen Xian Bzo variation in Terra Cotta and Green

Zhen Xian Bao variation in Terra Cotta and Green

Whereas my previous thread-book-variation has a romantic feel to in, this one feels earthy to me, like it’s meant for keeping track of seeds, gardens, and planting/harvesting info. The green print is Chiyogami paper from The Paper Place, and the solid green on the left is Neeneh Classic Linen Cover, Augusta Green.

Variation of Chinese Thread Book in Green and Terra Cotta, Paula Beardell Krieg

Variation of Chinese Thread Book in Green and Terra Cotta

The pamphlet on the left is constructed with a five-station pamphlet stitch using waxed linen thread. The book block is Mohawk Superfine. The second tier box on the right is machine-made paper infused with flower petals.

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Both the pamphlet and the rectangular trays fold away to reveal a big rectangular tray as the bottom layer, made with handmade paper from India. You can also see in this photo a sleeve made from Metallic Stardream paper. underneath the second tier try.

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Inside the pamphlet is a small envelope that expands into….

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…a little box.

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Unlike my Indigo, Gold and Red version, I didn’t use the Chiyogami paper for the outside wrapper. I tried out lots of options, but this handmade terra cotta paper purchased long ago from Dieu Donne Papermill was the best choice. I still have just a bit of this paper left, so I can continue using this for a few more wraps, but just a few. It’s hard for me to use up a paper that I may never see again, but I remind myself that I have it so that I can use it.

It takes awhile to assemble these thread books, but what has taken me the longest is to mix and match my papers until I am happy –and I demand to be really happy– with my paper choices. I try to let the papers I start with suggest the rest of the paper choices.  Since this part takes so long, I am trying to make at least two of each paper/color combination, in an attempt to do at least a bit of streamlining.

One surprising discovering is realizing how well Stardream Metallics match the Chirogami. I’ll be showing more of this match in the next post, which, by the way, will feature a thread book that has a suede wrapper.  I didn’t see that coming, but it’s what worked. I feel like I’m just the messenger…

Indigo, Gold and Red

January 9, 2017

Zhen Xian Bao with Red, Gold and Indigo

Based on Zhen Xian Bao with Red, Gold and Indigo, barely opened

I’ve been cutting up my stashes of beautiful papers to design/make structures that borrow liberally from what I’ve learned about the Chinese Thread Book structure that I’ve been posting about over the last few months.

based on Zhen Xian Bao,, with Ried, Gold, and Indigo

Unwrapped

Rather than strictly mimicking traditional Chinese structures, of which there are countless variations, I’ve been making variations of my own. Basically, I’ve been repeating one design with different combinations of paper, but mostly featuring Chiyogami papers. So far I’ve made five distinct compositions of papers. This one, with the indigo cover, and the red/gold paper inside, is the most romantic looking of them all.

based on Zhen Xian Bao,, with Ried, Gold, and Indigo

pamphlet and rectangular tray, opened

Inside, instead of going the traditional route and placing collapsible boxes on the verso and recto sides, I’ve chosen to place pamphlet on the left, and rectangular trays on the right.

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Still, inside the pamphlet there is a traditionally made, collapsed origami box.

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Here it is, that little box (a 2″ square), opened.

based on Zhen Xian Bao,, with Ried, Gold, and Indigo7

Next layer down is a machine-made paper, which contains real flower petals, a paper that is one of just a few pieces of paper I have left from the now extinct Kate’s Paperie.

Big Box layer

Big Box layer

Finally, here’s the big interior box, made from handmade paper from India, containing leave skeletons. Also, you can see there’s a copper Stardream Metallic on the right, which is a slim pocket.

 

Chinese Thread Book

Closed, with Gold

All closed up.

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